The essay The Origin of the Work of Art by German philosopher Martin Heidegger explores the notion of what art is. He posits that art The Origin of the Work of Art (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
Heidegger explains that work sets up a world and sets forth the Earth. The work is an instigating of this strife (Heidegger, pg 175). That strife opens truth or as Heidegger puts it, Aletheia to the observer of the Work. The struggle or Strife is the process of a work of art taking place within the art work itself. Essay on Martin Heidegger's The Origin of the Work of Art Three pages from the writing of 20thcentury German philosopher Martin Heideggercan you tak usual view, the work arises out of and through the activity of the artist.
But through and from what is the artist thatc which he is? Through the work; for the German proverb" the work praises the master" means that the work first lets the artist emerge as a master of art. The artist is the origin of the work. The work is the origin of the artist. In the Postscript to his Origin of the Work of Art, Heidegger suggests that one important aim of his investigation into the relation between truth and art is to subject to scrutiny Hegels famous thesis on the end of art.
Given the subsequent fame of Heidegger's essay, it is quite understandable that both art historians and phenomenologists would want to determine precisely which painting Heidegger was referring to in The Origin of the Work of Art so as to be able to evaluate his interpretation for ourselves.
This essay is an investigation into the" origin" of the work of art. Heidegger's word for" origin" is the German der Ursprung, the source or" springing forth" of a thing. Thus, Heidegger is asking where art originates where it" springs" from. The Origin of the Work of Art In The Origin of the Work of Art, Heidegger attempts to the answer the question of what art is, as well as try to find the origin of art itself. In his attempt Heidegger distinguishes between his ideas of Work and Equipment.
as well as in chapter 13 of The Will to Power as Art, Heidegger indicates the fundamental concerns of the essay by positioning it in relation to Hegels celebrated thesis of the death of art. As Heidegger presents it, Hegels thesis can be represented in terms of the following four propositions.